"Imagination", "imaginaire", "imaginal" Three concepts for defining creative fantasy

Authors

  • Corin Braga

Keywords:

Fantasy, imagiation, imaginaire, mundus imaginalis, Plato, Kant, Gaston Bachelard, Gilbert Durand, Henry Corbin

Abstract

This paper comparatively presents three notions related to the concept of creative fantasy. These three terms (”imagination”, ”imaginaire”, ”imaginal”) have been developed by the French school of research on the imagination (“recherches sur l’imaginaire”), which is little known in the Anglo-Saxon academic field. As such, the terms don’t even have convenient translations and linguistic equivalents. Briefly, imagination is fantasy conceived as a combinatory faculty of the psyche. French rationalistic “philosophes” saw it as a misleading and rather weakly creative ability. ”L’imaginaire” is the resourceful and inventive aspect of fantasy, as conceived by the Romantics and then theorized by psychoanalysis and contemporary French philosophers. ”L’imaginal”, or ”mundus imaginalis” is a concept defined by Henry Corbin in order to designate fantasies as self-sustained, ontological beings.

Author Biography

Corin Braga

Assoc. Prof. PhD Director of Phantasma, The Center for Imagination Studies, Chair of the Department of Comparative Literature, Faculty of Letters, Babes- Bolyai University, Cluj-Napoca, Romania. Author of the books: Night-Walkers (novel, 1992), The Imaginary Horizon of Nichita Stănescu (literary criticism, 1993), Hydra (novel, 1996), The Genesis of the Imaginary World of Lucian Blaga (literary criticism, 1998), Oniria. Dream Diary (1985-1995), (1999), 10 Studies in Archetypology (1999), Le Paradis interdit au Moyen Âge. 1. La quete manquée de l’Eden oriental, (2004), La quete manquée de l’Avalon occidentale. Le Paradis interdit au Moyen Age – 2 (2006), From archetype to anarche- type (2006).

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Published

2026-09-13